The music – with it retro 80s synth and drum loop – was probably destined for obscurity until Deel landed an IT job at Cisco and offered the piece as hold music for Cisco’s phones. 1, was composed in 1989 by Tim Carleton and Darrick Deel and recorded on a four-track in a garage. “You want to stay away from anything that is abrupt or that could be perceived as abrasive.”Ī vintage example of this type of smooth track is the default hold music used by Cisco, the high-tech telecommunications company. “You may want to stay away from things that are too lush, or that have dramatic shifts in tempo and energy,” says Turner. Because the audio is compressed and delivered without much equalisation, hold-musicologists recommend instrumental music that is textually suited to this kind of delivery (pop songs not withstanding). Audio quality on a telephone is often not so good. Maybe this hints at the reason why “classic” hold music can drive us crazy. “I argue the main torture results from repetition.” “I definitely think hold music has a negative effect on mental health,” says Dean Olsher, a New York-based music therapist. Neither was especially therapeutic because the sound quality down the phone line was really poor. The company went bankrupt in 2009 and was acquired by Mood Media, who ditched the Muzak name forever. Over the years this kind of background mood music became so prevalent at workplaces and hotels – with speakers hidden in the potted palms – that it sparked a backlash: the brand name Muzak became a noun with negative connotations. This kind of music was pioneered by the Muzak company beginning in the 1930s typically, it offered instrumental versions of popular songs, albeit recorded by major band leaders of the day. The stereotypical hold music is an insipid instrumental track, musical wallpaper similar to elevator (or lift) music. “And then more and more folks realised that this is a wonderful marketing opportunity in which one can convey messages about what’s happening with the business.” Several ideas were borrowed, including the high fading strings, the use of ostinato, the key (C minor), and low drones.“At first the market adopted this idea of using music on hold to decrease the perceived waiting time and also to fill in those awkward moments of silence,” says Danny Turner, Mood Media’s global SVP of creative programming.Watergate was found in SFM Beta files titled "mtt_spy_music" This song was inspired by 'Hans Zimmer - Watergate'.The track is titled after the RED Spy's answer to the BLU Soldier's question in Meet the Spy: "Who's ready to go find this Spy?".This song was added as main menu music.The track ends similarly to how it started - the string suspensions fade away, and the piano's ostinato, now doubled now by violin 2, continues before fading away as well. These sections act as musical climaxes, and come to represent the Spy's ominous nature. This is repeated with greater emphasis on the high strings, which cry out in a range far higher than that of any other instrument. The tension is heightened further as high violins move further up in pitch, to F minor and G, before low brass and low strings enter to drone the tonic C, far below the high strings and piano. To drive the track's progression of musical intensity, the high violins continually play dissonant intervals, like major seconds and sevenths, above all other instruments. The track starts with high, suspended violins, with an eerie piano ostinato outlining C minor fading in soon after. The track is simple, yet effective at conveying the Spy's character, and is the soundtrack for much of his "Meet the Team" video. Whereas most entries of the soundtrack written for characters are boisterous and excited, "Right Behind You" is a tense and menacing track filled with suspensions and dissonance. Instrumentation: 2 horns, 3 trombones (2 tenors, 1 bass), piano, 2 violins, viola, violoncello, contrabass See also: Playing With Danger (Soundtrack) It is the third track to be added via patch subsequent to the game's release. Added in the Sniper vs Spy Update, it is one of the three songs featured in Meet the Spy, as well as being one of 32 main menu startup themes. "Right Behind You" is one of the song titles featured from the Team Fortress 2 Official Soundtrack, listed as track number six.
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